{"id":2314,"date":"2023-01-23T20:20:30","date_gmt":"2023-01-23T19:20:30","guid":{"rendered":"https:\/\/www.tatwortimnetz.de\/Kunst\/?post_type=tribe_events&#038;p=2314"},"modified":"2023-01-23T20:24:05","modified_gmt":"2023-01-23T19:24:05","slug":"youn-hee-park-behind-white-image-of-blinding-whiteness","status":"publish","type":"tribe_events","link":"http:\/\/www.tatwortimnetz.de\/Kunst\/event\/youn-hee-park-behind-white-image-of-blinding-whiteness\/","title":{"rendered":"Youn Hee Park. Behind white: Image of blinding whiteness"},"content":{"rendered":"<p><span dir=\"ltr\" role=\"presentation\">Die Ausstellung \u201eBehind White\u201c von Youn Hee Park im Wewerka Pavillon<\/span> <span dir=\"ltr\" role=\"presentation\">stellt<\/span> <span dir=\"ltr\" role=\"presentation\">die<\/span> <span dir=\"ltr\" role=\"presentation\">Macht <\/span><span dir=\"ltr\" role=\"presentation\">von Sprache im Kontext von Rassismus und Imperialismus dar.<\/span> <span dir=\"ltr\" role=\"presentation\">F\u00fcr<\/span> <span dir=\"ltr\" role=\"presentation\">ihre Installation<\/span> <span dir=\"ltr\" role=\"presentation\">hat die <\/span><span dir=\"ltr\" role=\"presentation\">K\u00fcnstlerin Ausdr\u00fccke der<\/span> <span dir=\"ltr\" role=\"presentation\">\u201e<\/span><span dir=\"ltr\" role=\"presentation\">Whiteness\u201d in europ\u00e4ischer<\/span> <span dir=\"ltr\" role=\"presentation\">und<\/span> <span dir=\"ltr\" role=\"presentation\">anglo<\/span> <span dir=\"ltr\" role=\"presentation\">amerikanischer Literatur <\/span><span dir=\"ltr\" role=\"presentation\">des 19. und 20<\/span><span dir=\"ltr\" role=\"presentation\">.<\/span> <span dir=\"ltr\" role=\"presentation\">Jahrhunderts gesammelt.<\/span> <span dir=\"ltr\" role=\"presentation\">R<\/span><span dir=\"ltr\" role=\"presentation\">aumgreifend repr\u00e4sentiert<\/span> <span dir=\"ltr\" role=\"presentation\">der Wewerka Pavillon<\/span><span dir=\"ltr\" role=\"presentation\">,<\/span><span dir=\"ltr\" role=\"presentation\"> wie<\/span> <span dir=\"ltr\" role=\"presentation\">\u201e<\/span><span dir=\"ltr\" role=\"presentation\">Whiteness\u201c Rassen klassifiziert und<\/span> <span dir=\"ltr\" role=\"presentation\">\u201e<\/span><span dir=\"ltr\" role=\"presentation\">none<\/span><span dir=\"ltr\" role=\"presentation\">&#8211;<\/span><span dir=\"ltr\" role=\"presentation\">White\u201d<\/span><span dir=\"ltr\" role=\"presentation\">&#8211;<\/span><span dir=\"ltr\" role=\"presentation\">Personen<\/span> <span dir=\"ltr\" role=\"presentation\">als Fremde, als<\/span><span dir=\"ltr\" role=\"presentation\"> Stereotypen, als Undokumentierte, als Nicht<\/span><span dir=\"ltr\" role=\"presentation\">&#8211;<\/span><span dir=\"ltr\" role=\"presentation\">B\u00fcrger<\/span><span dir=\"ltr\" role=\"presentation\">*innen<\/span> <span dir=\"ltr\" role=\"presentation\">und als abwesend in der <\/span><span dir=\"ltr\" role=\"presentation\">Gesellschaft darstell<\/span><span dir=\"ltr\" role=\"presentation\">t<\/span><span dir=\"ltr\" role=\"presentation\">. Die Grundlage f\u00fcr Youn Hee Parks Installation bilden Zitate<\/span><span dir=\"ltr\" role=\"presentation\">,<\/span> <span dir=\"ltr\" role=\"presentation\">welche<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">kolonialistische<\/span><span dir=\"ltr\" role=\"presentation\">s, herrschaftliches<\/span> <span dir=\"ltr\" role=\"presentation\">Gedanken<\/span><span dir=\"ltr\" role=\"presentation\">gut<\/span> <span dir=\"ltr\" role=\"presentation\">verk\u00f6rpern und so<\/span> <span dir=\"ltr\" role=\"presentation\">einen tiefgreifenden <\/span><span dir=\"ltr\" role=\"presentation\">Einfluss darauf<\/span> <span dir=\"ltr\" role=\"presentation\">haben<\/span><span dir=\"ltr\" role=\"presentation\">, wie wir die Welt im 21. Jahrhu<\/span><span dir=\"ltr\" role=\"presentation\">ndert sehen. Die<\/span><span dir=\"ltr\" role=\"presentation\">se Zitate<\/span> <span dir=\"ltr\" role=\"presentation\">werden in <\/span><span dir=\"ltr\" role=\"presentation\">r\u00e4umlicher Form visuell von Youn Hee Park aufgearbeitet und an den Scheiben des Pavillons<\/span><span dir=\"ltr\" role=\"presentation\"> inszeniert<\/span><span dir=\"ltr\" role=\"presentation\">.<\/span> <span dir=\"ltr\" role=\"presentation\">Besonders zur Geltung kommt<\/span> <span dir=\"ltr\" role=\"presentation\">die<\/span> <span dir=\"ltr\" role=\"presentation\">Installation in der D\u00e4mmerung, denn wie<\/span> <span dir=\"ltr\" role=\"presentation\">ein <\/span><span dir=\"ltr\" role=\"presentation\">stellvertretenes Mahnmal<\/span> <span dir=\"ltr\" role=\"presentation\">interagiert,<\/span> <span dir=\"ltr\" role=\"presentation\">der<\/span> <span dir=\"ltr\" role=\"presentation\">Pavillon mit der betrachtenden Person und leuchtet <\/span><span dir=\"ltr\" role=\"presentation\">bei Ann\u00e4herung auf.<\/span><\/p>\n<p><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">Youn Hee Park wurde in Seoul geboren. Seit 2015 studiert sie Kunst an der<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">Kunstakademie M\u00fcnster, seit 2016 bei Prof. Aernout Mik.<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">Ausstellungen (Auswahl):<\/span><span dir=\"ltr\" role=\"presentation\">!<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">2022<\/span> <span dir=\"ltr\" role=\"presentation\">\u201cPentimenti\u201d<\/span><span dir=\"ltr\" role=\"presentation\">,<\/span> <span dir=\"ltr\" role=\"presentation\">Galerie M<\/span><span dir=\"ltr\" role=\"presentation\">\u00fc<\/span><span dir=\"ltr\" role=\"presentation\">nsterland e.V.<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">2<\/span><span dir=\"ltr\" role=\"presentation\">019\/20<\/span> <span dir=\"ltr\" role=\"presentation\">\u201cPublic Matters\u201d<\/span><span dir=\"ltr\" role=\"presentation\">,<\/span> <span dir=\"ltr\" role=\"presentation\">LWL Museum<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Die Ausstellung \u201eBehind White\u201c von Youn Hee Park im Wewerka Pavillon stellt die Macht von Sprache im Kontext von Rassismus und Imperialismus dar. F\u00fcr ihre Installation hat die K\u00fcnstlerin Ausdr\u00fccke [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2315,"comment_status":"open","ping_status":"closed","template":"","meta":{"_tribe_events_status":"","_tribe_events_status_reason":"","footnotes":""},"tags":[],"tribe_events_cat":[],"class_list":["post-2314","tribe_events","type-tribe_events","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"http:\/\/www.tatwortimnetz.de\/Kunst\/wp-json\/wp\/v2\/tribe_events\/2314","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.tatwortimnetz.de\/Kunst\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"http:\/\/www.tatwortimnetz.de\/Kunst\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"http:\/\/www.tatwortimnetz.de\/Kunst\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.tatwortimnetz.de\/Kunst\/wp-json\/wp\/v2\/comments?post=2314"}],"version-history":[{"count":1,"href":"http:\/\/www.tatwortimnetz.de\/Kunst\/wp-json\/wp\/v2\/tribe_events\/2314\/revisions"}],"predecessor-version":[{"id":2316,"href":"http:\/\/www.tatwortimnetz.de\/Kunst\/wp-json\/wp\/v2\/tribe_events\/2314\/revisions\/2316"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.tatwortimnetz.de\/Kunst\/wp-json\/wp\/v2\/media\/2315"}],"wp:attachment":[{"href":"http:\/\/www.tatwortimnetz.de\/Kunst\/wp-json\/wp\/v2\/media?parent=2314"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.tatwortimnetz.de\/Kunst\/wp-json\/wp\/v2\/tags?post=2314"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"http:\/\/www.tatwortimnetz.de\/Kunst\/wp-json\/wp\/v2\/tribe_events_cat?post=2314"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}